Cesse La Pluie – Anggun C. Sasmi

Là-haut sur un nuage,
j’aimais sans me douter
qu’éclaterait l’orage
je n’ai pas vu le temps changer.Tes mots sur leurs passages
ont tout noyé, brisé.
Tu es resté fermer,
je ne sais plus ou aller.

refrain:(x2)

Oubliez cet orage éphémére,
l’effacer,retourner en arriére.
Je cherchai,
je cherche le reméde pourqu’enfin
Cesse la pluie, Cesse la pluie

Tu as tourné la page,
d’un coup de vent,classé.
Et d’un éclair sauvage,
balayé le passé.

Et si le ciel,se dégage.
Le coeur léger, j’irai,
sur un nuage, me poser,
et me laisser aller.

refrain:(x2)

Cesse la pluie, cesse la pluie , yeahiyeah..

refrain( bis bis bis).

Oxford Shoes

An Oxford is a style of laced shoe characterized by shoelace eyelet tabs that are stitched underneath the vamp, a construction method that is also sometimes referred to as “closed lacing“. Oxfords first appeared in Scotland and Ireland, where they are occasionally called Balmorals after the Queen’s castle in Scotland, Balmoral. However, the shoe took up the name Oxfords after Oxford University. This shoe style wouldn’t appear in the U.S. until the 19th century.[1] Most shoe stores in the U.S. will refer to Oxfords as “Bal-type” as opposed to “Blucher-type”. In France, Oxfords are better known by the name Richelieu.

Oxfords are traditionally constructed of leather and were historically plain, formal shoes but are now available in a range of styles and materials that complement both casual and formal forms of dress. It is derived from the Oxonian, a half-boot with side slits that gained popularity at Oxford University in 1800. Unlike early shoes, oxfords were cut smaller than the foot in order to give men a mincing step. The side slit evolved into a side lace that eventually moved to the instep, as students rebelled against knee-high and ankle-high boots. The toe cap can either be lined with two narrow rows of stitching, perforated holes along the end cap stitching (quarter-brogue), perforated holes along the end cap stitching and on the toe cap (semi-brogue), or a semi-brogue with the classical wingtip design (full-brogue).

Men’s quarter brogue oxford shoes

Oxfords contrast with Derbys, or blücher design, characterized by shoelace eyelet tabs that are sewn on top of the vamp.

Men’s full brogue (or wingtip) oxford spectator shoes

The meanings of the terms Oxford and Balmoral vary geographically; in the U.S., “Balmoral” is synonymous with “Oxford”. In U.K. usage (as described in this article), “Oxford” is often used to refer to any “dressy” style of lace-up shoe, including the Blücher (Derby)[citation needed]; elsewhere, especially in Britain, the Balmoral is a particular type of Oxford where there are no seams (apart from the toe cap) descending to the welt, a style particularly common on boots. The bal-type shoe (Oxford) is considered more formal than the blücher-type (Derby/Gibson) design.

Oxfords can be made from a variety of materials including calf leather, patent leather, suede, and canvas based on considerations of function or fashion. These are commonly black or brown, and may be plain or ornately styled Brogues.

Women’s oxford shoes are, at present, trending in the world of fashion; however, this trend dates back to the early nineteenth century. Borrowed from men’s footwear style, women’s oxfords have received immense popularity since the 1920′s including much attention in the 1940′s-1950. The body of the oxford shoe is created to appear as a flawless portion of leather, with a second leather piece forming the toe-cap. The differences in styles are generally due to the ornamentation: taller heels and designer colours. Since the current women’s oxfords draw ideas not only from the men’s shoe, but also from almost any conceivable source, the women’s variety has more freedom in terms of design, choice, and less adherence to tradition. This implies that Oxford shoes can fit almost every woman’s preferred style.

source: Wikipedia

Louis Vuitton 2014 Menswear Collection

June 27, 2013 Paris
By Tim Blanks
Kim Jones’ natural habitat is the open road—he has terminal itchy feet. For him, the ultimate luxury is the freedom to up and go. Louis Vuitton, the company he works for, has a rather different approach to luxury. But their points of view have proved extremely compatible in the two years since Jones became style director of Vuitton’s Men’s Studio, working under the artistic direction of Marc Jacobs. The reason is simple: Kim and Louis both like to travel well. And today’s show offered another 41 reasons why.That’s because it took 41 looks for Jones to road-trip across America. Or maybe make that 41 archetypes: preppy, broker, frat boy, gas jockey, scout, hippie, greaser, trust fund baby, and so on. In each case, the style was touched by the Vuitton ateliers. Tie-dye became something sumptuous and dark, rather than a muslin boiled up on the stove by an earth mother. The scout’s cotton drill parka was archly sewn with badges and souvenir pennants announcing his mastery of all things Vuitton, and the coat’s elbow patches were crocodile. A pastel prom jacket was woven from kimono silk. The varsity jacket was silk, too, and a denim jean jacket was actually suede.

Effortful though the production process may have been, there was a natural ease to everything, which the styling of the show emphasized. Wall Street–ready suits were worn with casually knotted bandannas. Sporty outerwear wrapped slender tailoring. Look closely and you might notice clothes pegs attached to lapels. Jones was thinking of the ordinary little things you pick up as souvenirs (Vuitton’s come in sterling silver and mahogany).

The last outfit was an evening look, with a jacket whose luminous LV jacquard glittered like fireflies. Its natural habitat would be a Palm Springs patio or a penthouse in Vegas. Not exactly the open road. But the fact that Kim Jones can relate to the individual who would crave such a thing—and might that be David Beckham, in the front row today?—just as well as he’ll relate to the next tribesman he runs into on the veld is the foundation stone for the future of the Vuitton man.

source: StyleOn.com